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The London-based duo mix up influences and fresh material on this week’s podcast.
Bursting onto the scene with their Maybes EP at the start of 2009, Mount Kimbie, the duo of Dominic Maker and Kai Campos, quickly impressed heads with their idiosyncratic takes on micro-garage, wistful downtempo techno and loping, twee dubstep. Their willingness to subvert such a multitude of genres gives them a sound unlike any other, skewing typical song structures but with a keen sense of melody.

This week heralds the release of their debut album, Crooks & Lovers, which sees Campos and Maker spread their loose and dreamy sound over a short but sweet 35 minutes. They’ve been busy touring with their current live set-up, recently playing at Berghain for Sub:stance’s 2nd birthday, but this week’s RA podcast sees the pair eschew the instruments for a specially tailored showcase of where their musical heads are right now. We shot them an e-mail to ask about the mix, plans for DJing in the future and their current live show.

What have you been working on recently?
Mostly we have been trying to improve our live set, bit by bit. It can be hard to find enough time to use everything we’re learning between shows, but we’re adding stuff all the time. Really looking forward to sitting down and writing some new music soon though.

How and where was the mix recorded?
The mix was recorded at Kai’s house in South London using a laptop, a Kaoss pad, and for various technical reasons a 4-track tape machine and a field mic!

Can you tell us a little bit about the mix?
It’s more of a collage – I wanted to show some stuff that has really had an influence but we don’t often talk about, I guess. People ask about why or how we decided to make the music or ‘the sound’ that we have so far and it’s always quite hard to answer and seems a bit weird. It’s often hard for two producers to work together but I think we both were in the same place and had a similar idea of where we wanted to go artistically. This mix defiantly represents one side of that. In a sense each one of the songs (excluding our own) has been like someone you meet on the way to somewhere else, if that makes any sense, and I hope that all together they give a better sense of our movements over the last couple of years.

How have the live shows been going? Have you had any difficulty translating the more complex parts of the album into a live configuration?
The live shows have mostly been amazing. It’s just a completely separate art and one that we’re excited about and learning a lot about all the time. Some of our songs can seem impossible to play in an interesting way in our current set-up. We tend to change them a bit depending on the song and how we feel we can express it best in the live environment.

Did you have much input when it came to selecting the artists for the two remix EPs? What did you make of the results?
Yeah, we were asked, but it’s a bit funny because my mind went kind of blank. I love the remix EPs. I didn’t know how much I liked the Instra:mental remix until I heard it by chance a few weeks after it had come out, and it just hit me, and I always think that’s a good sign.

An artist named Klaus seems to be a new collaborator for you guys, with an unreleased track here on this mix. What can you tell us about him?
Klaus is another guy from South London. He makes really beautiful music that’s original and so well crafted. We met through James Blake. I think James was playing a really early beat or sketch that Dom had done and he really liked it, took it home, cut it up and made quite a bit of the track in the mix. Then I got him to send over some bits that he used and added more and another ending which got cut off in this mix. It was actually a really fun way to work and we’d like to do more with him soon.

What are you up to next?
Lots more gigs this summer. A couple of dates with The XX, US tour in September, then back to Europe for a bit. That should keep us busy for a while which is great, and then hopefully we’ll have time to look back at 2010 and figure out where we want to go next.

Tracklist;

William Basinski – Melancholia 1 – 2062
Klaus – Tusk – Unreleased
Extract from ‘Night’ episode of ‘The Hackney Podcast’
Xela – Wet Bones – Type Records
Mount Kimbie – William (Mount Kimbie DayGlo Mix) – Unreleased
James Blake – Tep and The Logic – Unreleased
Sigha – Expansions – Hotflush Recordings
Klaus & Mount Kimbie – The People Took – Unreleased
Philip Jeck – Spirits Up – Touch
Konono N°1 – Lufuala Ndonga – Congotronics
Mount Kimbie – At Least (Instra:mental Remix) – Hotflush Recordings
Mount Kimbie – Blind Night Errand – Hotflush Recordings
Mount Kimbie – Vertical (Pig’s Ear Edit) – Unreleased
Clogs – Tides of Washington Bridge – Talitres
Actress – Again the Addiction – Werk Discs

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Released July 26th via Tempa (finished video available to view from July 12th)

12/7 – Update… here is the finished product…

Download the LHF guest mix from Mary Anne Hobbs’ BBC Radio 1 Show at the link below….

Download here

Grime star, Rolex-wearer and prodigious grumbler Wiley doesn’t half talk a lot of nonsense, so when he describes an interview as his “last ever”, you know you’ll probably be reading a new one in a matter of weeks.

Still, that’s what Wiley says in a rather cranky Q&A in the London edition of Time Out this week.

“I don’t walk to talk to no one anymore,” he tells Tamara Gausi. “I’m 30 years old. I’ve got children. Why the hell do I want to talk to journalists whose job is to just make me look bad…People think I’m mad. I understand why, but I’m not mad. I am actually quite sane.”

Paranoia aside, Wiley confirms that he’s working on a new Roll Deep record, and that that a new solo album is due September 21. He also says he’s helming an album by Roll Deep-affiliated Brazen and a track called ‘She Likes To’ (“featuring the top MCs I like in the country”), and has remixed the new Roisin Murphy single, ‘Demon Lover’.

When quizzed on his success and that of his peers, Wiley is as cagey and erratic as ever, and generous in his praise of old mucker and sometime enemy Dizzee Rascal.

“I know it’s a compliment [to be called 'The Godfather of Grime'], but why ain’t Dizzee the Godfather? He was doing this before me…”

He’s a little more dismissive of the achievements of Kano, Lethal B and Tinchy Stryder:

“Lethal ain’t got a Number Two, neither has Kano. And I weren’t doing press when I got a Number Two. So f*** them – not in a bad way – but f*** them.

“People keep ringing me: ‘Wiley, you’re nothing, Tinchy is ahead of you. You’re reh reh.’ [...] The world’s just mad. Like, ‘Tinchy Stryder is Number One, so  you’re no one.’ What do you mean I am Tinchy Stryder. I literally am him. I picked him up at 12 and took him around the world until now he’s 20-something. People ringing me and saying, ‘Dizzee is ahead of you.’ He always been ahead of me. He’s Number One, he’s a millionaire: good boy.

“It’s competition time. It’s not about friends any more. Dizzee showed us all that.”

“I’m 30 now,” he concludes. “So you’re not going to see me rapping with Calvin Harris, because that’s not really what I’m about. I actually want my own respect. I don’t just do this, I love this. More than they do. And I will accomplish all I want to do by 35. After that I’ll sit down.

You can read the full issue in the current (September 3-9) issue of Time Out London. Wiley performs at Deloitte Ignite at London’s Royal Opera House on Saturday 5 September.

Wu-Tang Lego: Da Mystery of Chessboxin’ from davo on Vimeo.

Nobody can mix like T_! I dont care what anyone says. Thanks to D.O.T.S. for sharing this video!!!

A true OG.

“and errr….Its not a commercial remix, its straight up eyes down”

…….monkey features, watch my lip hang off