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Ade Fakile is the man to thank for London’s #1 nightclub, Plastic People. His widely adored venue, with a two-hundred people capacity, frill-free decor and much-revered soundsystem has been CDR’s home since 2004. Over the years Ade’s club has spoken for itself, however in a rare interview, he told us about his ongoing quest for acoustic distinction, sharing news that will leave Plastics’ devotees delighted.

 As a teenager in Nigeria, Ade put his cassette tapes to good use by DJing at school parties. New Edition’s ‘Candy Girl’, the Mac Band’s ‘Roses Are Red’ and Timex Social Club’s ‘Rumors’ are a taste of the tracks he’d play to get girls dancing. Despite his tender age and limited resources sound quality was already so important to him he’d ensure his stop/start mixes had ear-pleasing key changes. Moving to London as adulthood approached he began collecting vinyl. “I was 17, I had money, I had time” Ade shares, “what do you do in the afternoons when you’ve got money and time? Go to Soho, go to record shops.”

 Distracted by his studies, a chance encounter brought him back to the music. In the early-90s he’d regularly attend Fish, a club at 37 Oxford Street. Upon hearing it had closed, Ade checked for himself, asking the manager if it was true. “He said ‘yeah yeah, it’s closed down, but do you want to run it?’ I was like, ‘Yeah! Yeah, I’ll run it’. When I woke up that morning I wasn’t looking for a club.” Once the necessary funds were raised Ade stripped the place back to the walls and made the DJ box the focal point. “Active darkness” or no lighting gave extra presence, “I wanted people to feel safe but to pay attention to the sound. Like when you listen to something and close your eyes.”

 Six years in the West End built Plastic People’s reputation as one of London’s best, certainly for sound, with the system meeting Ade’s requirements, “I wanted it to be loud, for you to feel it, and to be clear.” Unfortunately steep overheads came with the turf and when the lease expired in 1999, Ade sought to relocate. Scouring near his home in Hoxton for suitable spots, a friend found a music studio available in a basement on Curtain Road.

 Unlike the original site, the new location needed to be built from scratch. Dividing the space in two, they constructed a bar area with cherry and “seven shades of grey” paintwork, and laid down American Walnut on the dancefloor. However, acoustically all was not right – low ceilings and alcoves either side of the DJ booth affected the sound. Fitting two-hundred microphones all around the room they took an acoustic picture, comparing waveforms sent in and out of laptops. Ade learnt that anything below 49 Hz was being disturbed by the room. After consulting public service engineer texts, two-inch foam was added across all the ceiling, chicken mesh replaced the grills in the air vents, and specially-made bass traps behind curtains in the alcoves solved the problem. Ready just in time for François K to play.

 Contrary to some opinion, Plastic People’s venerated Funktion-One setup is not additionally tuned or modified, in Ade’s own words it’s “off the shelf”. He explains, “I don’t believe in adding extra bass or extra tweeters. I believe music should be played the way the guy that made it heard it in his own studio. All my setups for sound are not based on equipment, it’s based on the room. Putting an amazing two-million, ten-million, a billion pound soundsystem in a space is halfway there, you need to have an acoustically neutral room. That room must be treated, acoustically treated.”

 Focusing on the auditory experience, Plastic People is the perfect location for CDR. Ade explains  how the marriage came about, “Tony [Nwachukwu] didn’t even approach me, he just told me ‘We’re doing this.’! It kind of fitted in to what I wanted to do but went again one of my grains, which is I want to have 200 people who are likeminded about music, but by the nature of doing CDR, it won’t be continuous, it won’t feel like a clubnight. But that was a mistake on my part.” Having crafted such an acoustically correct space, CDR submitters get a pure airing of their work in progress, or as Ade says, “The room doesn’t have an impact on the sound, the soundsystem plays the record as it’s meant to be played.”

 Not content with the already impeccable setup, Ade has long reminisced for the equipment his father used to have back in Nigeria. “The sound I can hear from that loudspeaker is still the sound I’m looking for today.” He informs, “It was such a perfectly neutral sound. It’s as if the top end never pieced through your head, the sound used to finish right by your ear. It never goes inside your head.” Long unaware that such clarity was unachievable with conventional PA-based drivers he learnt from his father (shortly before he passed away) that studio-based drivers are required.

 “We’ll get something super, super accurate. Even more so than now.” Ade states, revealing his project to build an improved set of custom-made loudspeakers is underway. With the help of two friends, he plans to get his hands dirty, putting bass drivers, midrange and tweeters, from their respective top manufacturers, together in a 300litre box and installing it into the Curtain Road basement walls.

 As the mouth-watering prospect draws closer, CDR remains an important part of Plastic People’s future, “I’m glad we’ve done it and we’ve done it for so long, and we’ll keep doing for so long” Ade concludes, “It drives me. Imagine the new loudspeakers, the first day we put them in, and the day we have the first CDR. Hopefully people will hear something that they don’t think they could have heard.”.

UPDATE: Since Ade met with us, Plastics have announced they’ll be shut for the Summer. Two months closure will allow for the space to be refurbished; floor and ceiling the likely candidates for a touch up. And there’s that new soundsystem to fit…

IMAGE CREDIT: Ali Augur

Yeah bitch.

Official Statement.

“Hello everyone and thank you very much for your support. We know that Plastic People is loved by all of you, but we could never have predicted the reactions from so many people in such a short time. It has been overwhelming. On behalf of everyone here at Plastic People, special thanks to Benny Blanco for starting the ‘Keep Plastic People Alive’ Campaign and to all of you who are showing your appreciation for what the club has done over the last 16 years

Charlotte and I are in no doubt how serious this situation is and as a result had a meeting with the solicitor yesterday. This does not mean that all hope is lost and that Plastic People has come to its end. However, it does mean that we must do all we can to co-operate with the Police and Hackney Council in order to ensure that we can keep the best dance music venue in London open for all to enjoy.

Here is a breakdown of the whole process:

• The police have made an application to Hackney Council for a review the premises licence at Plastic People on the grounds that the way the management have been operating the club has breached the existing terms of its licence and failed to prevent crime and disorder and public nuisance.

• The notice outside the club’s premises will be there till the 11th March, which is the closing date for representations to be made by ‘interested parties’ (unfortunately this does not include you guys, but there may be an opportunity for you to make a contribution, see below) for or against the closure or any other outcome of the review.

• After the 11th, the licensing department at Hackney Council will, within 10 days, write to all parties concerned to invite them to a sub-committee hearing on a given date at a given address where they would make their case. That hearing should take place by the 31st of March.

• It would then be up to the Committee to decide on the eventual outcome which could be one or more of these:

(a) To revoke the license altogether;
(b) To suspend the license for a period not exceeding three months;
(c) To modify the conditions of the license;

Once a decision has been made, we would be notified and in the worst case scenario, we would have the option of appealing, but our current aim is to work with the Police and the Licensing Authority to find a solution that is satisfactory to all. Having never had problems with our licence over 16 years, whether in Oxford Street or Shoreditch, we are optimistic that this will be possible. Whilst the management concentrate on working With the Police and Hackney Council to address their concerns, much still needs to be done. Unfortunately, we can’t make the full version of the Police application openly available at this stage. A collection of people involved in the club are setting up a Committee called Friends of Plastic People. They will gather people’s experiences of working with and attending Plastic People over the years. They will meet this week and no doubt they will let you know how you can help.

I would urge everyone to hold back on making representations to the Police or the Council in the meantime, but by all means carry on spreading the word.

Once again, my most heartfelt gratitude to all of you!

Bernard KOUDJO
Plastic People LTD
Curtain Road
Shoreditch, EC2A 3QE”

It goes without saying how important a club Plastic People is. So many memories in that place. For me being in that darkened basement truly represents everything that underground UK bass music is about.

It simply cannot be allowed for this place to close down.

Show your support by joining the Facebook group, here

And be sure to keep your eyes peeled for the ‘Friends of Plastic People’ committee for info on how you can help further.

So you’ve probably already heard that FWD>> has now moved to the 1st and 3rd Thursday of each month, heres the line ups for March…

Hold tight the heads with work Friday morning.